布尔固德天骄后裔，蒙古族。字含墨，号科尔沁人。《悟家》书体创始人，中国著名书画家。曾任中国书法家协会、美术家协会，电影家协会、连环画研究会等内蒙古分会会员。现任中国书法艺术研究院副院长、中国书画家联合会特别理事、中国世界民族文化交流促进会会员（文化和旅游部）、中国国际名人书画院院士、欧洲东方国际美术研究院特别理事（荷兰）、黄埔大学艺术学院客座教授。曾为《有泪尽情流》、《民工》等电视剧题片名。曾接受过多家媒体专访，曾长期从事记者、编辑工作，采编过中外多位名人和艺术家，促进了国际文化交流。布尔固德先生博学多才，是典型的艺术杂家。音乐科班出身，酷爱艺术和体育。在半个多世纪的时间中以超人的毅力勤学苦练、博采众长，涉猎诸多艺术门类，沉淀了厚重的艺术积累。其大量美术、书法、摄影、平面设计、数以千计的插图艺术与连环画、梦幻装、人体彩绘、诗线画、电影海报、书籍封面设计、装饰等艺术创作作品发表于中外各大书刊、报纸杂志上，并被多次出版展出；被国内外知名人士和机构收藏、拍卖。
其肖像漫画具有独特的风格。根据人物的特定个性用不同的绘画技法表现出人物的个性和内容。如崔永元先生肖像漫画发表在《不过如此》封面和中央台《小崔说事》《小崔两会会客》栏目上。创作的奥林匹克中国冠军系列肖像漫画在各类报刊刊登并在首博、天津等地展出，产生了轰动效应。其人物画为形、神把握准确、夸张、唯美的特点，给予观赏者美的享受。每幅作品均是潜心创作，都凝聚了作者的灵。
《悟篆》书体自李斯小篆。本书体解放了小篆，被评价为中国文化的重大贡献。其书体章法优美、舒展、独特、大气磅礴、变化无穷。在整体造形上幻化出无尽的书法艺术审美魅力，具有厚重的文化积淀，锻造出书法艺术崭新的文化哲理和深厚的概念内涵，是涌动的旋律、无声的诗，从而赋予了作品鉴赏价值与收藏价值。《悟篆》书体以「小学」为载体，汲取了「真」的庄严、「草」的洒脱、「隶」的稳重、「石鼓文」的拙美、「钟鼎文」的古朴、「金石篆刻」的刀痕，飲线流畅、纯笔的鲣锵、断与连的美丽、精细搭配的神韵、疏密有序的章法……乃亦犹佛法，始子戒律、精子定慧、政于心源、妙子了悟。章法为天地不一、行行绝变、大小错落、参差有致、造形美怪，表现出深厚的书法功底和艺术造诣。作品的构成通体充满韵律与节奏，带着传统的脚步走上时代的艺术高峰.
Descendant of Burgud Tianjiao, Mongolian ethnicity. With the courtesy name Hanmo and the pseudonym Khorchinren, he is the founder of the Wujia calligraphic style and a renowned Chinese calligrapher and painter. He has served as a member of the Inner Mongolia branches of the China Calligraphers Association, the Artists Association, the Film Association, and the Comic Book Research Society. Currently, he holds positions as Vice President of the China Calligraphy Art Research Institute, Special Council Member of the China Calligraphers and Painters Federation, Member of the China World Ethnic Cultural Exchange Promotion Association (Ministry of Culture and Tourism), Academician of the China International Celebrity Calligraphy and Painting Academy, Special Council Member of the European Oriental International Fine Arts Research Institute (Netherlands), and Visiting Professor at the School of Arts, Huangpu University. He has provided title designs for television series such as "Tears Flow Freely" and "Migrant Workers." He has given interviews to numerous media outlets and has long worked as a journalist and editor, covering works by many Chinese and international celebrities and artists, thereby fostering international cultural exchange. Mr.Burgud is a polymath with exceptional versatility in the arts. Trained formally in music, he has a deep passion for both art and sports. Over more than half a century, he has pursued his studies with extraordinary perseverance, drawing on diverse artistic traditions and accumulating extensive artistic expertise across multiple disciplines. His extensive body of work—including paintings, calligraphy, photography, graphic design, thousands of illustrations, comic books, dreamy artworks, human figure paintings, poetic line drawings, film posters, book covers, and decorative pieces—has been published in major domestic and international publications and exhibited repeatedly. His works are collected and auctioned by prominent individuals and institutions worldwide.
His portrait comics possess a unique style. He employs various painting techniques to depict the individuality and content of characters according to their specific personalities. For example, Mr.Cui Yongyuan's portrait comics have appeared on the cover of Not So Bad and in CCTV programs such as Little Cui Talks and Little Cui Meets at Two Sessions. His series of portrait comics featuring Olympic China champions have been published in various newspapers and exhibited at venues like the Capital Museum and Tianjin, generating significant impact. His figure paintings are characterized by precise depiction of form and spirit, along with exaggeration and aesthetic appeal, offering viewers a visual delight. Each work is meticulously crafted, embodying the artist's creativity.
The calligraphic style of "Wuzhuan" originates from Li Si's Small Seal Script. This style liberates the Small Seal Script and is regarded as a significant contribution to China's cultural heritage. Its composition is elegant, expansive, unique, grand, and infinitely varied, evoking boundless aesthetic charm in calligraphy with profound cultural depth. It embodies new philosophical dimensions and rich conceptual connotations for the art of calligraphy, serving as a flowing melody and silent poetry that endows the work with both aesthetic and collectible value. Using "Xiaoxue" as its foundation, "Wuzhuan" draws upon the solemnity of "Zhen," the freedom of "Cao," the stability of "Li," the rustic beauty of "Shiguwen," the simplicity of "Zhongdingwen," and the engraving marks of "Jinshi seal carving" —characterized by smooth brushstrokes, the crisp resonance of pure lines, the beauty of continuity and interruption, the refined interplay of elements, and a well-balanced composition. These qualities mirror Buddhist principles: foundational precepts, essential wisdom, guidance from inner sources, and ultimate enlightenment. The composition features a unified yet diverse structure with dynamic variations, harmonious contrasts between large and small elements, and strikingly unconventional forms, demonstrating exceptional calligraphic mastery and artistic sophistication. The entire work exudes rhythm and harmony, advancing tradition to the pinnacle of contemporry art.（注：来自智能翻译）
四尺对开：《养浩然气》（隶书），《鸿业腾飞》（行书）
王之涣：凉洲词（悟篆书）
