文国璋（1942年6月22日—），生于四川省江津县，祖籍江苏淮安，擅长油画、版画。1961年毕业于中央美术学院附中，1965年、1980年先后毕业于中央美术学院油画系、版画系研究生班。历任中国美术家协会展览部编辑，中央美术学院版画系副教授、教授、基础部第一任主任，系中国美术家协会会员、中国油画学会会员、中国版画家协会会员。
1965年毕业后从事美术教育与创作。1978年创作石版画《我认的主义一定是不变了》展现周恩来、邓小平等青年赴法勤工俭学场景。1979年赴新疆旅行写生并举办展览。1983年套色石版画《时代的强音》被制成马克思逝世100周年纪念邮票。1984年油画《塔吉克姑娘的喜日》获北京美协荣誉奖。1994年主讲《水粉画教学》录像由中央美术学院电教中心制作。2001年参与组建中央美术学院基础部并任首任主任，起草教学大纲确立"宽基础"教学理念。1983年起多次深入帕米尔高原创作，以塔吉克民族人物为主题完成《叼羊系列画稿之二》等作品。2016年开展“油画创作漫谈”学术报告。2019年在嘉德艺术中心举办“我的六十年”个人艺术展，展出60年间创作的约150件作品。2025年出席中央美术学院中俄艺术交流中心揭牌仪式并参与“老先生 新时代”作品巡展。
Wen Guozhang (born June 22,1942) was born in Jiangjin County, Sichuan Province, with ancestral roots in Huai'an, Jiangsu Province. He specialized in oil painting and printmaking. He graduated from the Affiliated High School of the Central Academy of Fine Arts in 1961 and completed postgraduate studies in the Oil Painting Department and Printmaking Department of the Central Academy of Fine Arts in 1965 and 1980, respectively. He served as an editor in the Exhibition Department of the China Artists Association, associate professor and professor in the Printmaking Department of the Central Academy of Fine Arts, and the first director of its Basic Studies Department. He was a member of both the China Artists Association, the China Oil Painting Society, and the China Printmakers Association.
After graduating in 1965, he devoted himself to art education and creative work. In 1978, he created the lithograph "The Ideology I Believe in Must Remain Unchanged," depicting scenes of young scholars such as Zhou Enlai and Deng Xiaoping studying and working in France. In 1979, he traveled to Xinjiang for sketching and held an exhibition there. In 1983, his color lithograph "The Strong Voice of the Era" was featured on a commemorative stamp marking the 100th anniversary of Marx's death. In 1984, his oil painting "The Joyful Day of a Tajik Girl" received the Honor Award from the Beijing Artists Association. In 1994, he delivered a lecture titled "Watercolor Painting Instruction," produced by the Audio-Visual Education Center of the Central Academy of Fine Arts. In 2001, he participated in establishing the Basic Department of the Central Academy of Fine Arts and served as its inaugural director, drafting teaching syllabi that established the "broad-based" educational philosophy. Since 1983, he has frequently worked on the Pamir Plateau, creating works such as "The Second Draft of the Sheep-Catching Series" featuring Tajik ethnic figures. In 2016, he delivered an academic lecture titled "Reflections on Oil Painting Creation." In 2019, he held a personal art exhibition titled "My Sixty Years" at the Jiade Art Center, showcasing approximately 150 works created over six decades. In 2025, he attended the inauguration ceremony of the China-Russia Art Exchange Center at the Central Academy of Fine Arts and participated in the touring exhibition "Old Masters, New Era."（注：来自智能翻译）
