雒三桂，别署琴音堂主、南阳布衣、河内人等。男。1963年7月生。河南省武陟县人。著名文化史和美术史学者，书画家。现为重庆大学艺术学院院长，高级编辑，当代著名花鸟画大师孙其峰入室弟子，中国美术家协会会员，中国画学会理事。
长期从事中国古代文化史、书画史研究，成果丰硕，并有相当学术影响。山水画临摹古代名家，于宋、元各家尤有心得；书法临摹研习中国历代名家近三十年，于王羲之、颜真卿、米芾、王铎等用功尤深，长于行草书法，并精擅楷书、篆书。兼任中国国家画院公共课导师，中国艺术研究院篆刻院特聘教授，中国人民大学画院特聘教授，“2012伦敦奥运会美术大会”艺术评审委员会主任委员，山东京博集团楹联博物馆学术顾问，北京市旅游发展委员会特聘“北京旅游文化使者”，中央电视台数字书画频道《美术评论》嘉宾主持人。人民美术出版社学术委员会委员，《中国美术》、《中国画学刊》等杂志编委或学术顾问、《中国书法大字典》主编。
1984年9月至1987年7月就读于四川大学历史系，攻读中国古代史专业秦汉史方向硕士学位研究生，获历史学硕士学位，师从蒙默教授。其硕士学位论文的核心提要部分约12000字发表于《四川大学学报》1988年第二期。
1987年7月至1991年7月在西安交通大学管理学院工作，讲师。其撰写的《西安交大附小汉代壁画墓二十八宿星图考》一文，发表于中国科学院自然科学史研究所《自然科学史研究》1990年第6期。
1990年与李怀祖教授合作撰写的管理学论文《中国传统思维方式与管理》在中加国际管理学会议发表。
1991年与席酉民教授合作撰写的《周易与决策管理》在陕西旅游出版社出版。
1991年9月至1994年7月就读于北京师范大学中文系，攻读中国古代文学专业先秦两汉文学博士学位研究生，师从聂石樵教授。
1994年7月毕业，获文学博士学位。
1994年出版《诗经新注》，并在《北京师范大学学报》《文艺研究》等刊物发表学术论文，在山西人民出版社出版了新注《千家诗》、在汕头大学出版社主编出版了近70万字的《全注全译古文观止正续编》。
1994年7月至2003年7月在中国人民大学中文系工作，副教授，硕士生导师。2002年出版《诗经散论》，由商务印书馆出版。
2003年7月至2004年7月在中国青年政治学院中文系工作，副教授。
2004年7月调入人民美术出版社，先后任人民美术出版社美术理论编辑部副主任、中国美术编辑部副主任和书法篆刻编辑部主任，编审。
2005年撰写全国十二五普通高等院校书法教材《中国书法史》。
2006年出版《王羲之评传》，由人民美术出版社出版。
2007年撰写出版《王羲之集校笺》，全书文字共达40万字；出镜中央电视台第二频道拍摄的节目《千年书法》。
2010年出版《三桂书画集》。
2014年出版《超以象外》三桂书画杂文集。
2015年出版《中国书法史》加印版。
2016年12月15日，聘任雒三桂为重庆大学艺术学院院长。
主要成就：雒三桂长期从事中国古代文化史、书画史研究，成果丰硕，并有相当学术影响，是一位有成就的书画家和书画理论家。在学术研究方面，雒三桂主持了包括“中西传统绘画史比较研究”“抗战时期中央大学艺术教育体系研究”在内的多项科研项目。雒三桂在《文艺研究》《北京师范大学学报》等刊物发表学术论文及美术评论六十余篇，出版有《诗经散论》《诗经新注》、《王羲之评传》、《中国书法史》、《千年书法》等专著，并主编《中国书法大字典》及《中华书法大字海》等大型书法工具书。在艺术创作上，雒三桂是当代著名花鸟画大师孙其峰的入室弟子。雒三桂的山水画临摹古代名家，于宋、元各家尤有心得；书法临摹研习中国历代名家近三十年，于王羲之、颜真卿、米芾、王铎等用功尤深，长于行草书法，并精擅楷书、篆书。其书画作品曾荣获“2012伦敦奥运会美术大会”金奖。
雒三桂现任重庆大学艺术学院院长及重庆大学美育教育中心主任，并担任首届全国高校美育教学指导委员会委员。雒三桂还兼任中国国家画院公共课导师、中国艺术研究院篆刻院特聘教授、中国人民大学画院特聘教授，以及“2012伦敦奥运会美术大会”艺术评审委员会主任委员等社会职务。
主要作品：雒三桂的学术专著包括《诗经散论》由商务印书馆出版后由中华书局重版，《诗经新注》与李山合著由齐鲁书社出版，《王羲之评传》由人民美术出版社出版，《中国书法史》作为全国普通高等院校“十二五”教材由人民美术出版社出版，《千年书法》由民主法制出版社出版，《千家诗新注》由山西人民出版社出版，以及《董其昌临僧怀素小草千字文研究》由人民美术出版社出版。雒三桂主编的作品包括《中国书法全集》全72册由九州出版社出版，《王献之书法全集》（全2册），由人民美术出版社出版，《米芾书法全集》（全2册），由人民美术出版社出版，《现代艺术论著汇编》（全62册），由华龄出版社出版，以及大型书法工具书《中华书法大字海》（全5册），由重庆大学出版社出版，该书收录了历代13000多个常用汉字的不同书体写法。雒三桂还担任了《中国书法大字典》的主编。雒三桂出版的书画作品集包括《三桂书画集》由四川美术出版社出版，《超以象外》书画杂文集由文物出版社出版，以及《与古为徒》书画杂文集由文物出版社出版。2025年，雒三桂的书画作品参加了在成都举办的“墨缘——刘石、雒三桂、魏学峰教授书画展”。
Luo Sangui, also known by the pseudonyms Master of Qinyintang, Nanyang Commoner, and Resident of Henei, is a male artist born in July 1963 in Wuzhi County, Henan Province. A renowned scholar of cultural history and art history, he is also a accomplished calligrapher and painter. Currently serving as Dean of the School of Art at Chongqing University, he holds the position of Senior Editor and is a direct disciple of Sun Qifeng, a celebrated contemporary master of flower-and-bird painting. He is a member of the China Artists Association and a board member of the Chinese Painting Society.
With long-term dedication to research on the ancient cultural history and painting history of China, he has achieved remarkable results with significant academic impact. He specializes in copying works by renowned ancient masters of landscape painting, particularly excelling in the styles of the Song and Yuan dynasties; for nearly three decades, he has devoted himself to studying and copying calligraphic works by Chinese masters throughout history, with particular focus on Wang Xizhi, Yan Zhenqing, Mi Fu, and Wang Duo, demonstrating expertise in running and cursive scripts as well as proficiency in regular and seal scripts. He serves as a public course instructor at the China National Academy of Painting, a specially appointed professor at the Seal Engraving Institute of the Chinese National Academy of Arts, a specially appointed professor at the Painting Academy of Renmin University of China, Chairman of the Art Review Committee for the "2012 London Olympic Games Art Conference," academic advisor to the Couplet Museum of Shandong Jingbo Group, a specially appointed "Beijing Tourism Culture Ambassador" by the Beijing Municipal Tourism Development Commission, and guest host for the "Art Review" program on CCTV's Digital Calligraphy Channel. Additionally, he is a member of the Academic Committee of People's Fine Arts Publishing House, editorial board member or academic advisor to journals such as China Art and Chinese Painting Journal, and editor-in-chief of the Comprehensive Dictionary of Chinese Calligraphy.
From September 1984 to July 1987, he studied at the Department of History of Sichuan University, pursuing a master's degree in Ancient Chinese History with a specialization in Qin-Han History under Professor Meng Mo, and was awarded a Master of Historical Sciences degree. The core abstract of his master's thesis, approximately 12,000 words long, was published in the second issue of the Journal of Sichuan University in 1988.
From July 1987 to July 1991, he served as a lecturer at the School of Management, Xi 'an Jiaotong University. His article "A Study on the Twenty-Eight Lunar Constellations in the Han Dynasty Mural Tombs at Xi' an Jiaotong University Affiliated Primary School" was published in Studies in the History of Natural Sciences (No.6, 1990), issued by the Institute of the History of Natural Sciences, Chinese Academy of Sciences.
In 1990, the management research paper "China Traditional Thinking Patterns and Management," co-authored with Professor Li Huaizu, was presented at the China-Canada International Management Conference.
In 1991, the book The Book of Changes and Decision-Making Management, co-authored with Professor Xi Youmin, was published by Shaanxi Tourism Press.
From September 1991 to July 1994, he studied at the Department of Chinese Language and Literature of Beijing Normal University, pursuing a doctoral degree in Ancient Chinese Literature with a focus on Pre-Qin and Han Dynasty literature under the guidance of Professor Nie Shiqiao.
He graduated in July 1994 with a Ph.D. in Literature.
In 1994, he published A New Commentary on the Book of Songs and authored academic papers in journals such as the Journal of Beijing Normal University and Literary Studies. He also released a new annotated edition of Qianjia Shi with Shanxi People's Publishing House and edited the nearly 700,000-character work Complete Commentary and Translation of Guwen Guanzhi: Zhengxu Edition for Shantou University Press.
From July 1994 to July 2003, he worked at the Department of Chinese Language and Literature at Renmin University of China as an associate professor and master's supervisor. In 2002, he published Scattered Essays on the Book of Songs (published by The Commercial Press).
From July 2003 to July 2004, he worked as an associate professor in the Department of Chinese Language and Literature at the China Youth University of Political Science.
In July 2004, he was transferred to the People's Fine Arts Publishing House, where he successively served as Deputy Director of the Art Theory Editing Department, Deputy Director of the China Art Editing Department, and Director of the Calligraphy and Seal Carving Editing Department, holding the title of Senior Editor.
In 2005, he authored the national 12th Five-Year Plan textbook for calligraphy education in regular higher education institutions titled "History of China Calligraphy".
In 2006, the book A Critical Biography of Wang Xizhi was published by People's Fine Arts Publishing House.
In 2007, he authored and published Wang Xizhi Ji: Critical Edition with Annotations, a work comprising 400,000 characters in total; he also appeared on CCTV-2's program Millennium Calligraphy.
In 2010, the book San Gui Collection of Calligraphy and Painting was published.
In 2014, the collection Chao Yi Xiang Wai: San Gui's Essays on Calligraphy and Painting was published.
The reprinted edition of "History of China Calligraphy" was published in 2015.
On December 15,2016, Luo Sangui was appointed Dean of the School of Arts at Chongqing University.
Main Achievements: Luo Sangui has long been engaged in research on the ancient cultural history and history of calligraphy and painting in China, achieving abundant results with significant academic impact, making him a accomplished artist and theorist in these fields. In academic research, Luo Sangui has led multiple scientific projects, including "Comparative Study of Traditional Chinese and Western Painting Histories" and "Research on the Art Education System at Central University during the War of Resistance Against Japan." He has published over sixty academic papers and art critiques in journals such as Literary Research and Journal of Beijing Normal University, and authored monographs including Essays on the Book of Songs, New Annotations on the Book of Songs, Biographical Study of Wang Xizhi, History of Chinese Calligraphy, and Millennium of Calligraphy. Additionally, he edited major reference works such as Comprehensive Dictionary of Chinese Calligraphy and Encyclopedia of Chinese Calligraphy. In artistic creation, Luo Sangui is a disciple of the renowned contemporary master of flower-and-bird painting, Sun Qifeng. His landscape paintings draw inspiration from ancient masters, particularly excelling in styles from the Song and Yuan dynasties; his calligraphy practice involves studying works by Chinese masters throughout history for nearly three decades, with special focus on Wang Xizhi, Yan Zhenqing, Mi Fu, and Wang Duo, demonstrating proficiency in running and cursive scripts as well as mastery of regular and seal scripts. His calligraphic and painting works have won the gold medal at the "2012 London Olympic Games Art Competition."
Luo Sangui currently serves as Dean of the School of Art at Chongqing University and Director of the Aesthetic Education Center at Chongqing University, while also holding the position of member of the inaugural National Higher Education Aesthetic Education Teaching Guidance Committee. He additionally holds several other social positions, including Public Course Mentor at the China National Academy of Painting, Distinguished Professor at the Seal Engraving Institute of the Chinese National Academy of Arts, Distinguished Professor at the School of Painting of Renmin University of China, and Chairman of the Art Review Committee for the "2012 London Olympic Games Art Conference."
Major works: Luo Sangui's academic monographs include Discourses on the Book of Songs, published by The Commercial Press and later reprinted by Zhonghua Book Company; New Annotations to the Book of Songs, co-authored with Li Shan and published by Qilu Publishing House; Biographical Commentary on Wang Xizhi, published by People's Fine Arts Publishing House; History of China Calligraphy, included as a national textbook for ordinary higher education institutions during the 12th Five-Year Plan period, also published by People's Fine Arts Publishing House; Millennium Calligraphy, published by Democratic Legal Publishing House; New Annotations to Thousand Poems, published by Shanxi People's Publishing House; and Research on Dong Qichang's Copying of the Thousand-Character Text in Cursive Script by Monk Huaisu, published by People's Fine Arts Publishing House. Works edited by Luo Sangui include Complete Collection of China Calligraphy (72 volumes), published by Jiuzhou Publishing House; Complete Collection of Wang Xianzhi's Calligraphy (2 volumes), published by People's Fine Arts Publishing House; Complete Collection of Mi Fu's Calligraphy (2 volumes), published by People's Fine Arts Publishing House; Compilation of Modern Art Treatises (62 volumes), published by Hualing Publishing House; and the comprehensive calligraphy reference work Comprehensive Dictionary of Chinese Calligraphy Characters (5 volumes), published by Chongqing University Press, which contains writing methods of over 13,000 commonly used Chinese characters across historical periods. Luo Sangui also served as editor-in-chief of Comprehensive Dictionary of China Calligraphy. His published collections of calligraphic and painting works include Sangui's Collection of Calligraphy and Painting, published by Sichuan Fine Arts Publishing House; Beyond Form: Essays on Calligraphy and Painting, published by Cultural Relics Publishing House; and Learning from Antiquity: Essays on Calligraphy and Painting, also published by Cultural Relics Publishing House. In 2025, Luo Sangui's calligraphic and painting works were exhibited at the "Ink Connections – Calligraphy and Painting Exhibition by Professors Liu Shi, Luo Sangui, and Wei Xuefeng" held in Chengdu.（注：来自智能翻译）
