李松 笔名李凇，1956年生于湖北荆州。先后毕业于湖北美术学院、西安美术学院和南京艺术学院，获艺术史博士学位。2003年由西安美术学院调入北京大学，任艺术学院教授、博雅特聘教授、元培学院导师。
2004年至2013年任美术学系主任。主要研究领域为中国美术史，尤其关注佛教与道教美术史。主要著作有《中国道教美术史》(2012年出版第一卷，2022年日本勉诚出版日文版)、《陕西佛教美术》(1999、2008)、《论汉代艺术中的西王母图像》(2000)等，个人论文集有《长安艺术与宗教文明》(2002)、《神圣图像》(2016)、《图说新语》(2019)。主编两卷本《永乐宫：历史、信仰、艺术》(2026)、《山西寺观壁画新论》(2011)、《宋代的视觉景象与历史情境》(2017)等。参与合作编著Grotto Art of China(2026)。
论文《关于永乐宫三清殿图像志的再思考》(2025)、《艺术史与考古学：如何是“补充文本”》(2020)、《论〈八十七神仙卷>与〈朝元仙仗图〉之原位》(2007)等分别在《美术研究》《艺术史研究》《美术》《美术观察》《考古与文物》等期刊发表。部分文章被翻译为英、德、日、韩文。
2009年获文化部和中国文联首届“中国美术奖·理论评论奖”。2014年获“北京大学第十二届人文社会科学研究优秀成果奖”一等奖。三次获北大“教学优秀奖”,2021年获北大“师德优秀奖”。
2017年在德国海德堡大学东亚艺术史研究所担任客座教授，开设两门课程：中国道教美术史和中国墓葬美术。2021年起至今在“北大学堂”做中国美术史专题线上讲座十余次。
Li Song, pen name Li Song, was born in Jingzhou, Hubei Province in 1956. He graduated from Hubei Academy of Fine Arts, Xi 'an Academy of Fine Arts, and Nanjing University of the Arts, earning a Ph.D. in Art History. In 2003, he transferred from Xi' an Academy of Fine Arts to Peking University, where he serves as Professor at the School of Art, Distinguished Professor of Liberal Arts, and Mentor at Yuanpei College.
From 2004 to 2013, he served as the Head of the Department of Fine Arts. His primary research areas include the history of Chinese art, with a particular focus on the history of Buddhist and Taoist art. His major publications include History of Chinese Taoist Art (Volume 1 published in 2012; Japanese edition published by Shueisha in 2022), Buddhist Art in Shaanxi (1999,2008), and On the Image of Xi Wangmu in Han Dynasty Art (2000). His personal essay collections include Chang'an Art and Religious Civilization (2002), Sacred Images (2016), and New Perspectives on Visual Art (2019). He edited two-volume works such as Yongle Palace: History, Faith, and Art (2026), New Perspectives on Temple Murals in Shanxi (2011), and Visual Scenes and Historical Contexts in the Song Dynasty (2017). He also contributed to the collaborative compilation of Grotto Art of China (2026).
His papers, including "Reconsiderations on the Visual Records of the Sanqing Hall in Yongle Palace" (2025), "Art History and Archaeology: What Constitutes a 'Supplementary Text' " (2020), and "On the Original Positions of The Eighty-Seven Immortals Scroll and The Chao Yuan Immortal Procession Painting" (2007), have been published in journals such as Fine Arts Research, Art History Studies, Fine Arts, Fine Arts Observation, and Archaeology and Cultural Heritage. Some of these articles have been translated into English, German, Japanese, and Korean.
In 2009, he was awarded the inaugural "China Fine Arts Award – Theory and Criticism Category" by the Ministry of Culture and the China Federation of Literary and Art Circles. In 2014, he received the first prize of the "12th Peking University Outstanding Achievement Award in Humanities and Social Sciences Research." He has been honored with the Peking University "Outstanding Teaching Award" three times and received the Peking University "Outstanding Teacher Ethics Award" in 2021.
In 2017, he served as a visiting professor at the Institute of East Asian Art History at Heidelberg University in Germany, where he taught two courses: History of Taoist Art in China and Burial Art in China. Since 2021, he has delivered over ten online lectures on the history of Chinese art at "Peking University Academy."（注：来自智能翻译）
