王明明，1952年5月出生于北京，山东省蓬莱县人。一级美术师，无党派代表人士。曾任国务院参事室副主任、北京市文化局副局长、北京画院院长。中国美术家协会副主席、北京市美术家协会主席、北京市文学艺术界联合会副主席。2016年5月被聘任为中央文史研究馆馆员。
王明明长期刻苦学习和创作，求教于吴作人、李苦禅、蒋兆和、刘凌沧、启功、卢沉、周思聪、姚有多等诸名家，打下坚实的绘画基础。1977年考取中央工艺美院未入学，1978年10月调入北京画院从事专业创作。作品多次参加全国大型画展，曾在新加坡、日本、加拿大等国家和北京、香港、台湾等地区举办个展及讲学，出版多种个人画集。1990年3月—2000年5月任北京画院副院长。2000年6月—2002年2月任北京画院常务副院长。2002年2月—2017年11月任北京画院院长。2000年8月—2009年12月任北京市文化局副局长。2010年1月—2015年4月任国务院参事室副主任。
曾任第十届、第十一届、第十二届北京市人大代表，第九届、第十一届、第十二届全国政协委员，第十届，第十一届，第十二届全国政协常委、国务院参事，第六、第七、第八届中国美术家协会副主席，第四届、第五届北京美术家协会主席。中央统战部海外联谊会副会长。中国艺术研究院博士生导师。
现任中国美术家协会顾问，北京美术家协会名誉主席，全国文联全委会委员，北京市对外友好协会副会长、北京画院艺委会主任，中央文史馆馆员。享受国务院特殊津贴专家。2004年他被北京市委授予“首都建设做出突出贡献的统一战线先进个人”荣誉称号。
艺术简历：
1958年作品《西游记》获印度国际比赛奖，作品到比利时、波兰、阿根廷等地展出。《春节邻家看电视》参加第六届青年联欢节，求教于李苦禅、陈半丁先生。1959年“春节邻家看电视”参加维也纳世界青年联欢节图画展。1960年作品送朝鲜、澳大利亚、日本、泰国、意大利等国家展出。进北京市少年宫学习。1961年作品《人民公社好》获澳大利亚世界儿童画比赛绘画一等奖。作品送索马里、日本、古巴、意大利展出。1962年作品《北京焰火晚会》获罗马尼亚世界儿童比赛特等奖。作品送日本、苏联、法国等地展出。1963年作品《暑假过队日》获全国儿童比赛一等奖。求教于吴作人先生、张正宇先生。1964年作品送香港等地展出。1965年作品送日本、朝鲜、法国展出。1969年分配北京手扶拖拉机厂工人，同时进行业余创作。1971年创作版面《出厂》参加北京市美展。1972年向卢沉、周思聪、姚有多先生学习中国画。求教于蒋兆和、刘凌沧、启功等先生。1973年合作《春雨》参加全国美展。1976年版画、插图作品参加北京市美展。1977年作品《风餐露宿寻宝藏》《竞赛之花开满园》参加北京市美展。考入中央工艺美术学院未入学。1978年10月进入北京画院专职画家。1980年作品《杜甫》获北京优秀作品甲等奖。1981年作品《扬青棵》参加北京画院、上海画院联展，并获北京市优秀作品奖三等奖。1982年创作《招魂》参加北京画院、日本南画院“北京——京都展” 作品到加拿大展出。1983年代表中国青年画家赴法国参加“全国中青年画展”开幕，并同法国画家进行学术交流。1984年创作《晨曲》参加全国美展，评为全国美展优秀作品，北京美协收藏。1985年当选中国美术家协会理事1987年创作《苗乡夜话》参加北京画院三十周年展。任北京画院艺术室主任。1988年10月加拿大、多伦多、蒙特利尔举办个人画展。作品《秋获》获北京市委优秀作品奖，北京美协收藏。1989年在汉城、台北举办个展并出版画集。1990年任北京画院副院长。1991年2月香港举办个人画展并出版大型画集。参加韩国汉城经济新闻社举办“现代中国代表作家展”。1992年1月参加澳门举办中国画展开幕式。5月香港举办个人画展并出版画集。1993年赴日本参加东京“美山慈光美术馆”王明明作品永久陈列开幕并进行艺术交流活动。1994年8月参加马来西亚国际水墨画研讨会。《夕阳归》参加全国美展、北京市美展。8月出席韩国画廊节“王明明作品展”开幕及交流。1995年4月新加坡文物馆举办“王明明画展”并出版大型画集。6月率美术家代表团访问菲律宾，参加中菲建交二十周年活动。《东坡闲居图》菲律宾国家艺术委员会收藏。6月新加坡大华银行第十四届全国美展，被特邀为外国评委，参加评选活动。《秋泉雅集图》长卷被大华银行收藏。1996年《苗乡夜话》赴韩国参加展览。1997年3月香港崇光百货举办“王明明精品展”。1998年8月北京画院举办赈灾义卖，义卖出作品4幅。香港中文大学驻校艺术家并讲学，创作香港中文大学校园组画。12月香港举办个人画展并出版“王明明近作集”。2000年9月19日中国美术馆举办“回归自然——王明明中国画展”。《八月的吐鲁番》中国美术馆收藏。任北京画院常务副院长主持工作。任北京市文化局副局长。2001年3月主持策划“绿风、关爱家园”画展。5月美术馆举办“王明明工作室研修生作品展”。9月主持策划文化扶贫“远山在召唤——南召胜景北京画院作品展”开幕。2002年任北京画院院长。主持策划“大匠之门——北京画院成立四十五周年展”，在中国美术馆展出。2003年3月主持策划六年的“北京风韵”系列作品展。并出版“北京风韵”系列画集。9月当选北京美术家协会主席，12月当选中国美术家协会副主席。2004年7月主持策划“时代风采”北京市美术作品展。2005年3月参加全国政协“北京当代优秀画家作品展”出版《王明明画兰亭雅集图卷》《王明明画闲情逸韵图集》《王明明画采风趣图集》。建成北京画院美术馆，齐白石纪念馆。2006年6月率团赴台湾参加“北京风韵作品展”开幕式及交流活动。7月率团参加第六回中日美术交流展，京都开幕及交流活动。10月在北京画院美术馆举办“心迹自然——王明明花鸟画展”，出版大型画集《心迹自然——王明明花鸟画集》。2007年11月主持策划“时代华章——北京画院上海画院50年作品展”在中国美术馆开幕。2008年5月在北京画院美术馆举办“怀古寄情——王明明手卷、册页、扇面作品展”。并出版大型画集《怀古寄情——王明明手卷作品集》。2010年1月任国务院参事室副主任，9月在北京画院美术馆举办“古意豪瑞——王明明书法展”，出版《古意豪瑞——王明明书法集》。2011年5月在北京画院美术馆举办“艺海童年——王明明儿童时期作品展”并出版画集。2012年5月策划主持成立“齐白石艺术国际研究中心”“传统中国绘画研究中心”。雨儿胡同13号齐白石旧居纪念馆面向社会开放。2013年4月在北京画院美术馆举办：“墨缘书韵——王念堂、王明明、王卫明书法展”。2014年8月与莫晓松、李雪松为亚太经合组织第22次领导人非正式会议，怀柔主会场创作《和风清远》巨幅花鸟画（6米×12米）。2015年4月主持策划“天然之趣——北京画院藏齐白石精品展”在匈牙利国家美术馆举办。9月为纪念中国人民抗日战争暨反法西斯战争胜利七十周年，与李小可、庄小雷、买鸿钧、刘旭、牛朝合作，为天安门城楼大厅绘制《众志成城》巨幅山水画（3米×20米）。2016年5月为中华文明历史题材创作工程与李小可、庄小雷、徐卫明创作《长城秋韵》中国国家博物馆收藏。7月主持策划为纪念匈牙利李斯特逝世130周年“匈牙利狂想曲——钢琴之王的浪漫主义”在北京画院美术馆举办。2017年主持策划“华彩丹青——甲子 北京画院六十年”在北京画院美术馆开幕，北京画院创作楼画库改建工程奠基。12月北京市文化局同意本人的辞职申请，不再担任北京画院院长职务。2000年至2017年主持画院工作期间，建成了北京画院美术馆、齐白石旧居纪念馆；主持策划二十世纪美术大家系列展、二十世美术研究系列展、齐白石院藏系列研究展、中国古代书画系列展及北京风韵系列展等近90个，并整理出版北京画院藏齐白石全集、院藏精品集、二十世纪美术大家、二十世纪美术研究古代书画研究及大匠之门丛书，北京二十世纪绘画史等研究书籍共130余本。2019年完成古诗意画百开册页。2020年6月4日，王明明以2019年度公开拍卖市场作品总成交额3,061万元人民币名列《2020胡润中国艺术榜》第21位。2022年6月7日，北京画院美术馆恢复开放，“意飘诗外——王明明古诗意画百开册页展”亮相展出，展览汇集了王明明所作的中国画册页共一百幅。2025年8月，由中央文史研究馆、国家大剧院、中国美术家协会、北京美术家协会、北京画院联合主办的“集虚寻境——王明明中国古典园林作品展”在国家大剧院艺术馆举行。展览精选了当代中国画坛的代表人物王明明近年来创作的《雪映雅堂》《满园诗境入画屏》《醉春》等中国古典园林题材作品近百幅，涵盖其山水画与书法作品，呈现了中国皇家园林富丽幽逸和人文园林清新典雅的气象。
Wang Mingming was born in May 1952 in Beijing, hailing from Penglai County, Shandong Province. He is a First-Class Artist and an independent cultural figure. His previous appointments include Deputy Director of the State Council's Office of Counselors, Deputy Director of the Beijing Municipal Bureau of Culture, and President of the Beijing Painting Academy; Vice Chairman of the China Artists Association; Chairman of the Beijing Artists Association; and Vice Chairman of the Beijing Federation of Literary and Art Circles. In May 2016, he was appointed as a member of the Central Institute of Cultural History.
Wang Mingming dedicated himself to prolonged and rigorous study and artistic creation, learning from renowned masters such as Wu Zuoren, Li Kuchan, Jiang Zhaohe, Liu Lingcang, Qi Gong, Lu Chen, Zhou Sicong, and Yao Yiduo, thereby establishing a solid foundation in painting. He was admitted to the Central Academy of Arts and Design in 1977 but did not enroll; in October 1978, he joined the Beijing Painting Academy to pursue professional artistic practice. His works have been exhibited in numerous national art exhibitions, and he has held solo exhibitions and given lectures in countries including Singapore, Japan, and Canada, as well as in regions such as Beijing, Hong Kong, and Taiwan, while publishing several personal painting collections. From March 1990 to May 2000, he served as Vice President of the Beijing Painting Academy; from June 2000 to February 2002, as Executive Vice President; from February 2002 to November 2017, as President; from August 2000 to December 2009, as Deputy Director of the Beijing Municipal Bureau of Culture; and from January 2010 to April 2015, as Deputy Director of the State Council's Office of Counselors.
He served as a deputy to the 10th, 11th, and 12th Beijing Municipal People's Congresses; a member of the 9th, 11th, and 12th National Committee of the Chinese People's Political Consultative Conference (CPPCC); a standing committee member of the 10th, 11th, and 12th CPPCC National Committees; a State Council Counselor; Vice Chairman of the China Artists Association during the 6th, 7th, and 8th terms; President of the Beijing Artists Association in the 4th and 5th terms; Vice President of the Overseas Friendship Association under the Central United Front Work Department; and Doctoral Supervisor at the China Academy of Art.
He currently serves as an advisor to the China Artists Association, honorary chairman of the Beijing Artists Association, member of the National Committee of the China Federation of Literary and Art Circles, vice president of the Beijing Foreign Friendship Association, director of the Art Committee of the Beijing Painting Academy, and member of the Central Institute of History and Culture. He is also a recipient of the special allowance granted by the State Council. In 2004, he was awarded the honorary title of "Outstanding Individual in the United Front Who Has Made Significant Contributions to Capital Development" by the Beijing Municipal Committee.
Artistic Resume: In 1958, his work Journey to the West won an award at an international art competition in India and was exhibited in Belgium, Poland, Argentina, and other countries. The piece Neighborhood Television Viewing During Spring Festival participated in the Sixth Youth Cultural Festival, where he studied under masters Li Kuchan and Chen Banding. In 1959, it was displayed at the Vienna World Youth Art Exhibition. By 1960, his works were exhibited in North Korea, Australia, Japan, Thailand, Italy, and other nations. He attended training at the Beijing Children's Palace. In 1961, The People's Commune Is Good won first prize at the Australian World Children's Painting Competition and was exhibited in Somalia, Japan, Cuba, and Italy. In 1962, Beijing Fireworks Gala received a special award at the Romanian World Children's Art Competition and was shown in Japan, the Soviet Union, France, and elsewhere. In 1963, Summer Vacation Team Day secured first place at the National Children's Art Competition; during this period, he also studied under Wu Zuoren and Zhang Zhengyu. In 1964, his works were exhibited in Hong Kong and other regions. By 1965, they appeared in Japan, North Korea, and France. In 1969, he joined the workforce at the Beijing Handheld Tractor Factory while continuing his artistic pursuits as an amateur. In 1971, his composition Leaving the Factory was featured in the Beijing Art Exhibition. In 1972, he studied Chinese painting under Lu Chen, Zhou Sicong, and Yao Youduo, while receiving guidance from Jiang Zhaohe, Liu Lingcang, and Qi Gong. In 1973, he collaborated on Spring Rain for the National Art Exhibition. His print and illustration works were showcased at the Beijing Art Exhibition in 1976. In 1977, his pieces Seeking Treasures Under the Open Sky and Flowers of Competition Bloom Throughout the Garden were exhibited there. He was admitted to the Central Academy of Arts and Design but did not enroll. In October 1978, he became a full-time painter at the Beijing Painting Academy. In 1980, his work "Du Fu" won the First Prize for Outstanding Works in Beijing. In 1981, his piece "Yang Qingke" was exhibited in a joint exhibition organized by the Beijing Painting Academy and the Shanghai Painting Academy, earning him the Third Prize for Outstanding Works in Beijing. In 1982, he created "Zhaohun," which was featured in the "Beijing–Kyoto Exhibition" jointly organized by the Beijing Painting Academy and the Nanwa Academy of Painting in Japan, and the work was also displayed in Canada. In 1983, he represented young Chinese painters in France to attend the opening ceremony of the "National Mid-Career and Young Artists Exhibition" and engaged in academic exchanges with French artists. In 1984, he created "Morning Melody," which was exhibited at the National Art Exhibition and awarded as an outstanding work, subsequently collected by the Beijing Artists Association. In 1985, he was elected as a council member of the China Artists Association. In 1987, he produced "Night Talks in Miao Village," which was included in the 30th anniversary exhibition of the Beijing Painting Academy. He served as Director of the Art Department at the Beijing Painting Academy. In October 1988, he held solo exhibitions in Canada, Toronto, and Montreal; his work "Autumn Harvest" won the Outstanding Work Award from the Beijing Municipal Committee and was collected by the Beijing Artists Association. In 1989, he held solo exhibitions in Seoul and Taipei and published a painting collection. In 1990, he became Vice President of the Beijing Painting Academy. In February 1991, he held a solo exhibition in Hong Kong and published a large-scale painting collection. He participated in the "Modern Chinese Representative Artists Exhibition" organized by the Seoul Economic News Agency. In January 1992, he attended the opening ceremony of a Chinese painting exhibition in Macau. In May, he held another solo exhibition in Hong Kong and published a painting collection. In 1993, he traveled to Japan to attend the permanent exhibition opening of Wang Mingming's works at the Misayama Jikō Museum in Tokyo and participated in artistic exchange activities. In August 1994, he attended the Malaysian International Ink Painting Symposium. His work "Sunset Return" was exhibited at both the National Art Exhibition and the Beijing Art Exhibition. In August, he attended the opening ceremony and cultural exchange event for the "Wang Mingming Art Exhibition" at the Korea Gallery Festival. In April 1995, the Singapore Museum of Cultural Heritage hosted the "Wang Mingming Painting Exhibition" and published a comprehensive art collection. In June, he led an artists delegation to the Philippines to participate in events commemorating the 20th anniversary of China-Filipines diplomatic relations. His work Dongpo's Leisurely Life is housed in the Philippine National Art Council's collection. During the 14th National Art Exhibition organized by DBS Bank in Singapore that same month, he was invited as a foreign judge for the selection process; his long scroll Autumn Spring Gathering was also acquired by the bank. In 1996, his exhibition Night Talks in Miao Village was displayed in South Korea. In March 1997, Hong Kong's Chong Kwong Department Store hosted the "Wang Mingming Masterpieces Exhibition." In August 1998, the Beijing Academy of Painting held a charity sale where four of his works were sold. He served as a resident artist at The Chinese University of Hong Kong, where he created a series of campus-themed paintings. In December, he held a solo exhibition in Hong Kong accompanied by the publication of Recent Works of Wang Mingming. On September 19,2000, the National Art Museum of China presented the exhibition "Returning to Nature: Wang Mingming's Chinese Paintings," with Turpan in August included in its collection. He assumed the role of Executive Vice President of the Beijing Academy of Painting and later became Deputy Director of the Beijing Municipal Culture Bureau. In March 2001, he curated the "Green Breeze, Caring for Our Home" exhibition; in May, the museum hosted the "Wang Mingming Studio Trainees' Works Exhibition"; and in September, he organized the opening of the cultural poverty alleviation exhibition "distant Mountains Call: Beijing Academy of Painting Works from Nanzhao." In 2002, he became President of the Beijing Academy of Painting and curated the "Door of Masters: 45th Anniversary Exhibition of the Beijing Academy of Painting" at the National Art Museum of China. In March 2003, he directed the six-year-long "Beijing Charm" series exhibition. He published the series of painting collections titled "Beijing Charm." In September, he was elected Chairman of the Beijing Artists Association, and in December, Vice Chairman of the China Artists Association. In July 2004, he presided over the planning of the "Era Essence" Beijing Art Exhibition. In March 2005, he participated in the National Committee of the Chinese People's Political Consultative Conference's "Exhibition of Outstanding Contemporary Beijing Painters 'Works" and published the following works: Wang Mingming's Painting of the Orchid Pavilion Gathering, Wang Mingming's Collection of Leisurely Sentiments, and Wang Mingming's Collection of Field Sketches. He established the Beijing Academy of Fine Arts Museum and the Qi Baishi Memorial Hall. In June 2006, he led a delegation to Taiwan to attend the opening ceremony and exchange activities of the "Beijing Charm Exhibition." In July, he led another delegation to participate in the Sixth Sino-Japanese Art Exchange Exhibition, its opening in Kyoto, and related events. In October, he held the exhibition "Natural Expressions of the Heart – Wang Mingming's Flower-and-Bird Paintings" at the Beijing Academy of Fine Arts Museum and published the large-scale painting collection Natural Expressions of the Heart – Wang Mingming's Flower-and-Bird Paintings. In November 2007, he curated the "Epic Chapters of the Era – 50-Year Exhibition of Works from the Beijing and Shanghai Academies of Fine Arts," which opened at the National Art Museum of China. In May 2008, he organized the exhibition "Nostalgia and Emotion – Wang Mingming's Handscrolls, Album Leaves, and Fan Paintings" at the Beijing Academy of Fine Arts Museum and published the major collection Nostalgia and Emotion – Wang Mingming's Handscroll Works. In January 2010, he served as Deputy Director of the State Council Advisory Office; in September, he hosted the exhibition "Ancient Elegance – Wang Mingming's Calligraphy" at the Beijing Academy of Fine Arts Museum and published the collection Ancient Elegance – Wang Mingming's Calligraphy. In May 2011, he held the exhibition "Artistic Childhood – Wang Mingming's Children's Period Works" at the museum and published a corresponding painting collection. In May 2012, he planned and founded the "Qi Baishi Art International Research Center" and the "Traditional China Painting Research Center." The Qi Baishi Former Residence Memorial Hall at No.13 Yuer Hutong is open to the public. In April 2013, he organized the exhibition "Ink Connections and Calligraphic Charm – A Exhibition of Calligraphy by Wang Niantang, Wang Mingming, and Wang Weiming" at the Beijing Painting Academy Art Museum. In August 2014, he collaborated with Mo Xiaosong and Li Xuesong to create the large-scale flower-and-bird painting "Clear Breeze and Distant Scenery" (6 meters × 12 meters) for the 22nd Informal Leaders 'Meeting of the Asia-Pacific Economic Cooperation at the main venue in Huairou. In April 2015, he curated the exhibition "Natural Charm – A Selection of Masterpieces by Qi Baishi from the Beijing Painting Academy Collection" at the Hungarian National Gallery. In September, commemorating the 70th anniversary of China's victory in the War of Resistance Against Japanese Aggression and the Anti-Fascist War, he worked with Li Xiaoke, Zhuang Xiaolei, Mai Hongjun, Liu Xu, and Niu Chao to paint the large landscape painting "United As One" (3 meters × 20 meters) for the Tiananmen Gate Hall. In May 2016, he participated in the Chinese Civilization History Theme Creation Project alongside Li Xiaoke, Zhuang Xiaolei, and Xu Weiming to create "Autumn Melodies of the Great Wall," which was collected by the China National Museum. In July, he curated the exhibition "Hungarian Rhapsody – The Romanticism of the King of Piano" at the Beijing Painting Academy Art Museum to commemorate the 130th anniversary of the death of Franz Liszt. In 2017, he organized the opening of "Brilliant Paintings – Six Decades of the Beijing Painting Academy" at the same museum, while also laying the foundation stone for the renovation of the academy's creative building gallery. In December, the Beijing Municipal Culture Bureau approved his resignation application, and he no longer served as director of the Beijing Painting Academy. From 2000 to 2017, during his tenure overseeing the Beijing Painting Academy, he established the Beijing Painting Academy Art Museum and the Qi Baishi Former Residence Memorial Hall. He curated nearly 90 exhibitions, including the Series on Great Masters of 20th-Century Art, the Series on Research in 20th-Century Art, the Series on Research into Qi Baishi's Collection, the Series on Ancient Chinese Paintings and Calligraphy by China, and the Beijing Cultural Heritage Series. Additionally, he compiled and published over 130 research publications, such as the Complete Works of Qi Baishi from the Beijing Painting Academy Collection,精选 Masterpieces from the Academy Collection, Great Masters of 20th-Century Art, Research on 20th-Century Art, Studies in Ancient Paintings and Calligraphy, The Gate of Masters series, and History of 20th-Century Painting in Beijing. In 2019, he completed a collection of 100 album leaves featuring classical poetic paintings. On June 4, 2020, Wang Mingming ranked 21st on the 2020 Hurun China Art List, based on the total auction sales revenue of his works in that year, which amounted to RMB 30.61 million. On June 7, 2022, the Beijing Painting Academy Art Museum reopened, hosting the exhibition "Beyond Poetic Intent: A Collection of 100 Album Leaves of Classical Poetry-Painting by Wang Mingming," which featured 100 Chinese album leaves created by Wang Mingming. In August 2025, the "Seeking the Realm Through Abstraction: Wang Mingming's Works on Chinese Classical Gardens," jointly organized by the Central Institute of Cultural History, the National Centre for the Performing Arts, the China Artists Association, the Beijing Artists Association, and the Beijing Painting Academy, was held at the National.（注：来自智能翻译）
